Pretending To See The Future

Whilst on an OMD trip, I've coincided listening to their albums with reading their new book, Pretending To See The Future.

It's a history of the band, not as (auto)biography, but as a chronological collection of band, friends and fans memories. It's an entertaining, if sometimes frustrating, history of the band - one where I would've liked to have seen more input from the band with their thoughts on each single and album and more press cuttings of record reviews. The ones included give an insight into both the band and how they were viewed in the press at the time - how I would've loved to have seen that NME review for Pandora's Box that described the band as the missing link between Brian Eno and Hazel Dean.

Anyway, at the time of compiling the book I didn't send in my own memories of the band, so here's the one that has stuck with me the most, probably from around 1984/5...

Listening to a cassette copy of Dazzle Ships whilst playing Spectrum games with my brothers and cousins - we had to wait for the game to load in before we could use the tape player to listen to any music - he didn't pass comment until halfway through the final track, Of All The Things We've Made. At this point he chipped in, with a certain amount of scorn, "Well, this is boring, anyone could write this. It's SO easy to play - there's only one chord". Being a Queen fan, I sensed that music was of little merit to him if it didn't have enough chords chords or meet a certain level of virtuosity, so song containing one solitary chord, strummed with monotonous brilliance throughout the whole song, was never going to win him over. I steeled myself for an argument on the merits of the music, but then I realised - he just didn't get IT! Two chords would've been excessive.

Joan of Arc / Maid of Orleans

So, I'm into the third calendar year of the "listen to all my vinyl albums" challenge and I've just finished the letter O, which meant a lot of OMD. Coincidentally, today is also Joan Of Arc's birthday, so here's (still) my favourite OMD song. Choral samples and white noise percussion is what made a classic pop song back in 1981.

Let's also not forget the follow up single, with the same title (until record company intervention), 40 seconds of noise as an intro and heavy use of the mellotron.

Singing about Joan of Arc wasn't the obvious way to having a huge hit (twice) and so bands stayed clear of the topic until Little Mix's feminist anthem "Joan of Arc" from 2018.

My dad used to lambaste me for listening to so much music, telling me I wouldn't learn anything from it. OMD were always by shining example of how wrong he was.

OMD - English Electric in a Tin

Look what arrived in the post today - English Electric, the new album by OMD, as a stunning box set and vinyl package.

So, here's what I got:

• An OMD embossed tin
• The album on CD
• A CD of demos
• A DVD
• A foldout cover to hold the above 3 items
• Three cards with artwork
• Three cards with photos of the band 'in concert'
• A blue vinyl 7" single with an exclusive b-side ('Frontline')
• A booklet with lyrics and photos
• A signed card - I think they call it a 'certificate of authenticity'
• Some foam packaging to keep the above safe in the tin
• The album on vinyl in a die cut sleeve, so you can rotate the inner sleeve to make different versions of the artwork (it's just like the OMD/Architecture and Morality/Dazzle Ships albums covers all over again, which kept me entertained as a child)

 

Oh, and there were two metallic badges as well, which I think were extras thrown in to the parcel as it was a pre-order and might not be part of the boxset.

 

Here's the vinyl "die cut" sleeve - see how I've radically changed the artwork.

And here's the tin... I know, taking photos of tins is possibly an all time low for me.