Impact Music #19: Mogwai Young Team

Mogwai Young Team by Mogwai

Post rock eh? What is it?

It was a toss up between this and Millions Now Living Will Never Die by Tortoise with which one to share. I've already changed my mind three times.

Tortoise was the first post rock album I got and is one of my favourite albums. I do, however have more records that fall into the "sounds like Mogwai" category than most bands. Some of them sound more like Mogwai than Mogwai do. Anyway, this is a slightly disjointed album compared to what came next, but it has two of the biggest tunes ever, the incredibly heavy Like Herod and the template for the future of post rock that is Mogwai Fear Satan. That's 25 minutes of your life right there.

As a side note, Mogwai Fear Satan had one of the greatest remixes ever, courtesy of Surgeon, which takes the definition of music to another sublime level at zero BMP.

Mogwai on the Phone

Albert Hall
2/2/18

A Friend Asked Me To Recommend Three Mogwai Albums...

....and this was my room 30 minutes later.

Mogwai - Rave Tapes

The title and artwork hint at a Saturday night party album, but things couldn't be further from the truth. What we have here is arguably - soundtracks aside - Mogwai's most elegant and restrained album to date.

Opening track, Heard About You Last Night, sets out their stall. Picking up from where the Les Revenants soundtrack left us, the hauntingly beautiful track is underpinned by a tranquil keyboard.

The band have always embraced technology and electronics to complement their music, but this is their most overtly electronic album, with synths having equal footing  alongside the guitars and occasionally being given centre stage. Take Remurdered - the track that they previewed online last year - brooding and teasing, the keyboards support the guitar until midway through, where the guitars are usurped by an uplifiting, exquisite synth riff. Simon Ferocious emphasises the electronic side of the band even more but takes us into much darker territory whilst distorted guitars cry out for attention in the background.

It's not all synths though - Hexon Blogon does exactly what you'd expect from a Mogwai track, whilst Repelish updates the formula with the recording of someone discussing Stairway To Heaven and satanic messages in music, coming across as a less abrasive relative of Slint's seminal Spiderland album.

And that just a review of side one...

Fans hoping for a Like Herod or Glasgow Mega-Snake are going to be disappointed, but there's plenty for the rest of us to feast on. Still very Mogwai, yet pushing their own boundaries - frequently a very mellow, enjoyable experience whilst still retaining their edge and finding beauty in the darkness. This is something you're more likely to listen to in the small hours after a rave rather than at one.

Oh, and there's a  lovely free 7" single,  featuring the track Tell Everybody That I Love Them, if you buy the album from an independent record shop. 

Keep Calm and Green Man 2012

A Green Man Festival 2012 review

Right, so I've just got back from this year's Greenman Festival and have washed off the mud from my legs. Here's what it was like....

Despite to torrential rain throughout Thursday night and most of Friday and briefly on Saturday morning and Sunday morning, the weather was pretty good. Seriously. The sun came out a lot, it got too hot at times and you could sit around and enjoy the music...as long as you could find somewhere dry to sit. I've been to festivals where the conditions have been much worse than this.

Anyway, here's some of the quite/very/exceptionally good stuff I caught...

So hip it hurts, Toy played an excellent set of Krautgothrock on the Far Out stage. Hopefully being flavour of the month with the hipsters won't result in a backlash and they can become as successful as anyone melding the sound of the Horrors with early Stereolab can ever be - like all the great bands, they make two chords go a long way and it has to be said, they are infinitely better than Joe Lean and the Jing Jang Jong ever were.

Friday's rain stopped in time for the return of Dexys who, despite the futile shouts for Geno (this isn't some "I love the 80s" return) performed the most remarkable set of the weekend - the nearest a gig has ever come to nearly making me cry for a long time. Rewriting some of the lyrics to old songs and setting them alongside the highlights of the new album, this was more a play set to music than a gig, revolving around the mental rehabilitation of Kevin and his ability/inability to fall in love, with vocals shared by Kevin (the male lead) with Pete Williams (his best friend/father) and Madeleine Hyland (the love interest).

The Junior Boys were probably just glad to play in a tent and not outside in the torrential rain as they did last time they played at the festival. They did good.

A couple of hours before Mogwai's headlining set on Friday I had the good fortune to meet Stuart and Barry from the band in the Rough Trade shop, so I quickly went and bought the San Pedro 7" and got them to sign it like the fanboy I am. Anyway, the band did exactly what you would want from them on a festival headline slot, with songs from last year's awesome Hardcore Will Never Die But You Will sitting comfortably alongside everything else in the set with the exception of the peerless Mogwai Fear Satan, whose thunder made the valley shake. It's just a shame it wasn't raining at this point as this is probably some of the best music you can set to stormy weather.

What was missing from the festival was Post Modernism, Lover's Rock, a middle aged white man rapping and oblique lyrical references to Immanuel Kant. Fortunately, Scritti Politti were on hand to set that right. I'd always understood that Green Gartside had a real aversion to playing live, but he showed himself to be a brilliant front man - witty, charming and self effacing. Yes, a lot of people were waiting for them to play the "hits" (they obliged), but the later material is equally strong, with the one NEW new song (which he hasn't finished writing yet) being one of the highlights of the gig.

Van Morrison was 'headlining' the Mountain Stage on the Saturday night. The funny thing was, he was on at 7:15pm, with 2 bands on after him. Anyway, whatever the reasons behind this decision his music is ideal for a sunny Saturday evening rather than late at night. Not that I saw any of his set, but it sounded great from back at the tent.

Field Music played their usual quality set of mini symphonies in 7/8 time. I've raved about them in a previous blog, so I won't say any more here.

tUnE-yArDs were another highlight, mainly to see quite how Merrill Garbus can transform the multi layered vocals/instruments/effects of her albums into the live setting. And the answer is via a live band, probably a Loop Station, her charisma and a lovely orange dress. It was quite brilliant and one of those true festival Sunday-feel-good sets. Mind you, it does you no harm when people get this view of your band on stage...

Other bands worth a mention include Alt-J, Jonathan Richman, King Charles, Ghostpoet and Dark Dark Dark and that guy dressed as a spaceman with his own mini-stage.

So, yeah, it was alright really.